Sunday, January 25, 2009
TOS2. The German Space Program
2-4pm Wed Jan 28
Lindsay Auditorium
Sturm Hall 281
U of Denver
This presentation considers parallel inquiries into human biocomputing, cybernetic engineering, and space exploration conducted by the American space program and the German acid rock scene during the early 1970s. Swapping Werner von Braun and Timothy Leary, as it were, I present the Kosmische Musik phenomena as it reflects research and experiments in biocomputing and cyborg studies, the psychedelic sciences, and interspieces communication in the projects of John Lilly and Ed Mitchell.
Sequence 1: Stern Trek
Cosmic Jokers, “Galactic Supermarket”
Tangerine Dream, “Rubycon, Part 1”
Klaus Schulze, “Satz Exil Sils Maria”
Cluster, “03,” “01”
Conrad Schnitzler, “Contrapuntal Interstellar Radars”
Popol Vuh, “Ich mache einen Spiegel”
Harmonia, “Sehr Kosmische”
Tangerine Dream, “Phaedra”
Popol Vuh, “Aguirre”
Tangerine Dream, “Alpha Centauri”
Ash Ra Tempel, “Traummaschine”
Sequence 2: Kosmos
Thomas Lück, “Kosmos” soundtrack
Cosmic Jokers and Sternmadchen, “Der Magier / The Electronic Scene”
Amon Düül II, “Wie der wind am ende einer strasse”
Stern Combo Meiden, “In Den Kosmos” soundtrack
Manuel Gottsching, “Echo Waves/Quasarsphere”
Tangerine Dream, “Birth of Liquid Plejades”
Klaus Schulze, from Cyborg
Cosmic Jokers and Sternmadchen, “Meine Kosmiche Musik”
Outro: Soundtrack collage
The Audio Mix
A Miscellany of German Popular Music and Influences Since 1950
Here is a link to the Complete Playlist of German Space Music and its influences.
Sunday, January 18, 2009
TOS1. Sonic Science Fiction
2-4pm Thur Sept 29
DMST Classroom
Sturm Hall 434
U of Denver
Throughout the history of the science fiction film, the soundtrack plots a unique trajectory from ordinary consciousness to unusual, altered states. Considering works ranging from Rocketship X-M (1950) and The Day the Earth Stood Still (1951) to Blade Runner (1982), The Fountain (2006), and Wall-E (2008), I present the sounds of science fiction cinema in terms of the developments and transformations of consciousness from alienated, mythic, archetypal and psychotechnological states on toward the plateaus and peaks of complex cosmic and oceanic modes of consciousness.
The Audio Mix
Technicians of Space
Documenting my on-going series of multimedia lectures on consciousness, technology, and the cosmological imagination in sound and music. The current iteration of the project involves a series of six performance lectures delivered in Lindsay Auditorium on the University of Denver campus.
Lectures take place from 2-4pm on the following Wednesday afternoons:
Jan 21 Sonified Science Fiction
Jan 28 The German Space Program
Feb 04 Cognitive Dub Science
Feb 18 The Microcosms of Telharmonic Space
Feb 25 Space Ritual & Improvisational Technologies
Mar 04 Contemplative Radio
Download PDF flier/calendar/episode guide.
Lectures take place from 2-4pm on the following Wednesday afternoons:
Jan 21 Sonified Science Fiction
Jan 28 The German Space Program
Feb 04 Cognitive Dub Science
Feb 18 The Microcosms of Telharmonic Space
Feb 25 Space Ritual & Improvisational Technologies
Mar 04 Contemplative Radio
Download PDF flier/calendar/episode guide.
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